Beauty as a concept or category and de facto subjective human perception has many visual forms and meaning levels. Although it is primarily an aesthetically positive value, it is primarily an abstract term with which we sometimes waste, and mostly depend on contemporary conventions - it is a socio -cultural phenomenon through which we evaluate and classify. Therefore, sarcasm often comes. The aesthetic concept itself was probably the most antiquity. It judged beauty such as the manifestation of divine goodness or as order and symmetry. The peak then found the beauty itself in the Renaissance and the definition of the so -called gold section integrated the status of the harmonic whole, which has been worked in art since time immemorial.
The beauty of Kunec, however, oscillates between the colorful narratives of embarrassing realism, half acknowledges the spectacles and subjective, pleasure and pleasure in a transferred sense, but specifically in a kind of mirror of our current global luxury, waste, or sometimes even desirable memory loss. Kunc thus masterfully participates in the modern manner of both surrealism and in the pop-art abbreviation of his essential "east" offshoot (East-POP), exciting his distinctive rebellion and sarcasm, but not mockery-offers the viewer to choose what he feels, nice in space and time. Imagination.
