David Pešat sees visuality as a kind of "raw material", a material designed for processing and transformation. Therefore, its main creative motif of themes of differently directed metamorphoses seems. That is why most of his paintings move in an ambiguous field between figuration and inanimate world of objects and masses. Pešat's concept of figuration receives in itself the "act of creation", as a kind of "sculptural" moment, which - here through expressive abbreviations and colors - materializes external pressures and internal emotions.
