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Silvia Krivěšíková | Warm -up

Silvia Krivěšíková | Warm -up

Female strength and toughness in exceptional and poetic artistic processing from one of the most respected Slovak artists. Limited edition 100pcs (The edition is divided in a ratio of 70 pcs in size L and 30 pcs as XL), numbered, signed by the author.

Print Technique: giclée, archive 12 -color pigment print
Paper: 100% cotton paper Hahnemühle Photo RAG 308G
Print dimensions (l): 62 × 55 cm | 66 × 59 cm  (Print | Frame)
Print Dimensions (XL): 89 × 80 cm | 93 × 84 cm  (Print | Frame)
Frame: Wooden with UV plexiglass in the museum standard
Size
Frame
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€297,95
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Silvia Krivěšíková (born 1976 in Zvolen) is one of the distinctive Slovak painters living abroad. In 1998 - 2004 she graduated from the University of Arts in Bratislava. In 2003, she traveled to Porto on Faculadade de Belas Artes da Universidade to Porto to eventually spend several years in Portugal and co -founded there. Now he lives and works in Vienna. From the outset, she adapted her work to the possibilities and conditions she had or rather had no. Hence the choice of papers, residual materials and formats on which you can work in the evenings, for example in the kitchen. The author's work characterizes sensitivity to female mission and motherhood. She has exhibited several times in the Czech Republic since 2013. In 2022, the Prague Trafo Gallery organized the author of the independent exhibition Kraft, accompanied by the publication of the catalog of the same name, which was also reproduced in Prague presented painting Podhvička.

Lyrics: Petr Vaňous, curator

Follow her at Instagram.

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Silvia Krivěšíková for 100pcs

The image of the warm -up belongs to a series of themes in which the author themes her relationship with the banality of everyday life. Recurrent stereotypes, mechanisms, "Daily Routines", the time of time dissolved in duties and mayors, as well as a number of other aspects of the "Foam Foam" are a challenge to practice and strengthen resistance, strength and vitality, which are stolen by fatigue and skepticism. With irony, Silvia Krivašíková takes his own resistance to her hands. Trains. In absurd mechanisms of expansive and suffocating mundanes, it finds the cracks to flee. He runs into his work, which he performs as he performs housework. With the regularity, which is proposed into structures and ornaments, after which, like the sea, sails to memories and happier moments than they are now, here and now. Every day the horizon turns into an architecture of a new pictorial adventure. The training figure transforms into a kind of hourly gear that eats a day, but at the same time turns it into a small, established private universe. In the upper right corner, the author was situated by an attribute of a house with a weiring window as a symbol of peace, rest and happiness. A comic bubble with an ironic repetitive statement stretches from the head that shines into the darkness like the moon: "Einz, Zwei, Drei ..." Time flows, flies, runs, but also receives a painting shape that stops everything suddenly. Every night before bedtime it is good to think about what day it was and what it will be tomorrow. None is as the same as it might seem.

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