The provocative thing is that the exhibition of this figuralist presents as a landscape painter, plus painters of fancy landscapes. Each of them is a bit different, but the same have a kind of ironic anachronism. Harmony, which is more of a "harmony", has various forms. It can be a vase from the 1950s, the snowy cottage of Ladov, surrounded by Lufťák's cars, or a thrown bottle of wine. Examination of personal aesthetic weaknesses and boundaries of kitsch In the second plan it opens a number of other questions.
Curator: Radek Wohlmuth
