Interstellar

The painting of Kristína Mésároš characterizes work with a figure, liberated colors and a sense of magical atmosphere of a kind of dreamy, dramatic timelessness. This is achieved both in the level of expression - through the contrast of molds (freely painted parts and precise contours or template) and in the plane of the narrative used. There are seemingly mundane themes with exotic distant framework. The human presence appears to be a film situation here, as ecstasy from reality, as an ecstasy that connects the figuration with the intensity of inner experience. The movement of the executive corresponds to the expressive movement of his dreams, desires and needs. There are precisely present human communities and solitary individuals navy into the Matrix of the Magic World, full of tempting challenges and anxiety warnings. Every picture is a insight into fantastic events in which nature in its endless variety and fertility grows to civilization with its attributes and demands. This relationship-nature and civilization-also appears in the author's self-reflection of his own painting medium, in which we can find hidden references to the history of painting and his avant-garde transformations. Image Interstellar (2024) Despite the evocation of the sports motif, it refers to much more to the cyclical movement within the space -time, which is behind human knowledge. This metaphysical Romart of the image confirms both the reference to the starry sky of the infinite universe and the spiral, which jumps three female figures, but also the words of the author: "Jump into the water and complete immersion is like the oldest memory of the mother, our battalion, when our life was just beginning and substance around us."

Petr Vaňous