Matěj Lipavský | Boiling chemistry of the city sky

Ambivalent relationship to winter city light smog. The perception that painters likes and scares him a little. Limited edition: 100pcs, numbered, signed by the author.

Print Technique:	giclée, archive 12 -color pigment print
Paper:	100% cotton paper Hahnemühle Photo RAG 308G
Print size / in frame:	65 × 54 cm \| 69 × 58 cm
Frame:	Wooden with UV plexiglass in the museum standard

The special option of the print number for a special price is valid only until Tuesday 22. 7.
The expedition will take place from Monday 28.7.

Frame Frameless Black frame Wooden frame with oak veneer

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Matěj Lipavský (b. Work: boiling chemistry of the city sky, 2022, canvas oil, 140 × 135 cm

For Matěj Lipavský, it is a great challenge through authentic situations and moments to capture the extinguishing time, whether in the city or in the wild. While time in nature is captured with all attention in relation to cyclic changes of the seasons, climate and weather, cities live their own lives of "second nature", ie civilization. Natural frameworks are an authentic laboratory of light, colors, temperatures, humidity, etc. The image of the boiling chemistry of the city sky refers rather to the urban landscape, whose civilization face is manifested mainly at night, and the ubiquitous artificial light.

Petr Vaňous

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I would describe my approach as summary. I try to make the overall perception, the impression of that thing without any details. I try to pregnant clear visual formulation.

The work is about the ambivalent feeling between beauty and ugliness, because it depicts light smog, which in winter creates an absolutely unmistakable, special orange color. On the one hand, I really like it, but on the other hand it is a phenomenon that is toxic. Feeling when you like something and at the same time it scares you a little…

Matěj Lipavský (Instagram)