Tomáš Němec's painting works double -track into figuration and landscape. The German approach to the landscape ranges between the descriptive photographic model and the expressive sensory abbreviation. Often from nature they choose individuals (tree) and nooks (garden) than wider shots, units and framework. In some paintings, the more real atmosphere of the place is close to the spontaneous interpretation of the natural motif, which is based on the interplay of fast manuscript, color and light.