Tomáš Němec | Peach

The motif of the spring flowering of the real peach in the garden of the painter and its own concept of transience and futility. Limited edition: 100pcs, numbered, signed by the author.

Print Technique:	giclée, archive 12 -color pigment print
Paper:	100% cotton paper Hahnemühle Photo RAG 308G
Print size / in frame:	51 × 58 cm \| 55 × 62 cm
Frame:	Wooden with UV plexiglass in the museum standard

Frame Frameless Black frame

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Tomáš Němec (b. Work: peach, 2021 - 22, canvas oil, 150 × 130 cm

Tomáš Němec's painting works double -track into figuration and landscape. The German approach to the landscape ranges between the descriptive photographic model and the expressive sensory abbreviation. Often from nature they choose individuals (tree) and nooks (garden) than wider shots, units and framework. In some paintings, the more real atmosphere of the place is close to the spontaneous interpretation of the natural motif, which is based on the interplay of fast manuscript, color and light. The image of peach is a kind of portrait of a tree in the progressive phase of its cyclic cycle - in the spring flourishing. There is also a reference to the status of the fruit tree, its civilization role and function. The fruit tree belongs to the framework of a garden or orchard, or to the alleys along the roads, or always to the territory from the beginning of human work and created for human needs.

Petr Vaňous

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Tomáš Němec for 100pcs

Every painter who wants to evolve does not want to close anything in style. I would always like to observe reality, or just what I care about.

Spring flowering motif according to the real peach in my garden. The topic is Vanitas - a reminder of ruin and futility. Even peach is here for a moment and blooms, even if it is not cut as a flower in a weight. The image is also influenced by Gerhard Richter - it is blurred, which emphasizes the transience.

Tomáš Němec (Instagram)