Ewa Doroszenko | Synthetic Sunrise (Number 1)

A woman dreaming of the same power as the greatest current technology. From the author, who has won international awards and whose works are part of the collections of the largest art institutions. Limited edition 100pcs, numbered, signed by the author.

Print Technique:	giclée, archive 12 -color pigment print
Paper:	100% cotton paper Hahnemühle Photo RAG 308G
Print dimensions:	65 × 54 cm \| 69 × 57 cm (Print \| Frame)
Frame:	Printing in the tube, the frame can be purchased - write to us after order at info@100KS.cz

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Ewa Doroszenko - intermediate artist, doctor of fine arts, lives and works in Warsaw. Author of paintings, videos, audio installations and audiovisual projects, also in the Internet. Graduate of the University of Nicholas Copernicus in Torunni, a scholarshipist of the Minister of Culture and National Heritage in 2019 and 2024. Laureátka of many international competitions, a multiple participant in international artistic residences. She has exhibited her works at many individual and joint exhibitions around the world and her work is found in many art collections.

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The author of the author

“Synthetic Sunrise” (Synthetic Sunrise), oil and acrylic on canvas. The image is part of my latest project "Mechanical Electrical Instinct", which consists of several dozen paintings of different dimensions connected to the growing structure. The name of the whole project refers to the collection of poems "Night-Day: Mechanical Electrical Instinct" by Tytus Czyżewski, one of the most important Polish avant-garde artists, painter, poet and criticism of art. The paintings refer to the texts of Czyżewski, European futuristic poetry, motifs from the work of avant -garde artists and the essay "Manifest Cyborg" by Donna Haraway.

The main character of the picture is a naked woman in conjunction with the machine fragment, which dreams of the same power as the largest current technology. With an effort to overcome the concerns about the upcoming future, I create the configuration of corporeality and modern technologies that are increasingly affecting our lives. Using the traditional painting media, I present the contemporary world where the boundaries between virtual and real are blurry. Using painting techniques, I process non -metabolized fears associated with the evolution of human creations.