Julie Machall Space -time
Julie Machall Space -time
The honor of the pure white monumental architecture, which is in itself a work of art, the transience of memories and the uniqueness of the moment. Limited edition 100pcs (The edition is divided in a ratio of 70 pcs in size L and 30 pcs as XL), numbered, signed by the author.
Print Technique: | giclée, archive 12 -color pigment print |
Paper: | 100% cotton paper Hahnemühle Photo RAG 308G |
Print dimensions (l): | 54 × 65 cm | 58 × 69 cm (Print | Frame) |
Print Dimensions (XL): | 74 × 90 cm | 78 × 94cm (Print | Frame) |
Frame: | Wooden with UV plexiglass in the museum standard |
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The printing is not in stock at the moment (but 100 pieces are not sold out yet). Is Possible to order Ho with deferred delivery time 2-4 weeks. More information about how we print our editions You can find here.
Julie Machallová (1986) graduated from the Faculty of Arts at the University of Ostrava (the studio of painting and Prof. Daniel Balabán). He has internships in the studios of mosaics and mural techniques in Escuel de Arte de Sevilla in Spain. He works with architecture, landscape and figural motifs. The fleet of unique moments transforms into scenes that have the potential to tell stories.
It exhibits in the Czech Republic and abroad, was part of international residences in galleries in Kunstfabric, Gross Siegharts and Crag Gallery in Turin. In 2023, it was invited as part of the Pechakucha Night Meltingpot 2023 project to Colors of Ostrava. It is represented in private collections in the Czech Republic and abroad.
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Julie Machalová for 100pcs
The space -time image is based on the current work of Julie Machall, where it is inspired by clean and strict architecture, where the rational plane combines with aesthetic. Today we perceive white architecture full of light and space as an inviolable jewel, as an object of admiration, similar to the image we go to the gallery.
In the painting, the viewer can get to know the well -known architecture of the Berlin Museum of Berlin, whose architect is Daniel Libeskind. Here, Julie captures the moment where the individual visual memory of seeing only one reason why her paintings are created. In addition to the memory of the seen, he wants to visually capture the emotions and uniqueness of the moment.

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