Michal Cimala | White spots in cache

The sculptor, painter, musician, co -founder of Trafo Gallery and painting, where nerve tissue, space constellation and metaphor of social networks meet in one place. Limited Edition 100pcs (The edition is divided in a ratio of 70 pcs in size L and 30 pcs as XL), numbered, signed by the author.

Print Technique:	giclée, archive 12 -color pigment print
Paper:	100% cotton paper Hahnemühle Photo RAG 308G
Print dimensions (l):	65 × 54 cm \| 69 × 58 cm (Print \| Frame)
Print Dimensions (XL):	90 × 74 cm \| 94 × 78 cm (Print \| Frame)
Frame:	Wooden with UV plexiglass in the museum standard

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Michal Cimala (1975), sculptor, painter, designer and musician; Due to its generational affiliation, which is characterized by the immediate experience of the Velvet Revolution and the regime changes in 1989, it is one of the authors sensitively connected to their time and its transformation twists. In 1989-1993 he graduated from SUPŠ in Turnov (Zlatník / Stříbrník) and in 1994-2000 AAAD (Atelier Metal and Jewelry, Prof. Vratislav K. Novák). In 2006-2024 he worked as a professional assistant in the studio of the sculpture I (Jaroslav Róna, Lukáš Rittsetin). He has had a number of internships and residential stays abroad (Milan, Berlin, San Francisco, etc.). He belongs to the founders and authors of the successful Gallery Trafo. Together with Petr Voříšek he works in the musical ensemble Roxorrm3n, which in November 2024 released a new album Vysočany. At the beginning of 2025, the author celebrated his 50th birthday. On this occasion, Michal Cimal was organized a large independent exhibition in the Prague Gallery Villa Pellé under the name Pressure Wave. In parallel, the author's balance of the same name was also published (Trafo Gallery, 2025).

Lyrics: Petr Vaňous

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Michal Cimala for 100pcs

Sculptural and painting work Michal Cimaly It moves in a subset of living contradictions between the intoxication of the technical and technological possibilities of the present, scifi visions, utopias and permanently present anxiety from a collapse that ticks in an accelerated, consumer, power and reckless lifestyle. The interface of the over -performance and fall, paradise and apocalypse is the place that most resonates with formal experiments seeking sculptor, manic cartoonist, creator of distance, non -grief images, designer of futuristic musical instruments and critical lyricist. Work White spots in cache From 2024, it belongs to a wider set of network images that thematize different, visible and obscured "interconnections" and "dependence" taking place between an individual and society. Michal Cimala uses recycled plastic material to create paintings that has taken from medical practice. It removes this aid-device-intention from its usefulness and flips it-as a ready made-into the form of a freely used elastic template through which a convincing, dynamically modeled abstract expression showing ambiguous messages. The work can resemble as well as micro -nerve tissues as views of distant space macroconnects. Similarly, it can be a metaphor of social networks and online presence. The outer and inner world merges into one accelerated, intoxicating and all overwhelming time.

Petr Vaňous